May 1–Dec 31, 2020

Antone Konst [7], Love Dove


Antone Könst’s Love Dove transforms hackneyed symbols into an imposing, wholehearted sculpture on the coast of Fishers Island in the Long Island Sound.

Approaching the island by ferry, the sculpture appears as a shimmering copper mirage. A soaring heart-shaped form faces the water, reminiscent of lighted beacons guiding sailors back to port. Upon arrival, visitors can see the other side: a sixteen-foot, brightly colored bird, which appears to have either just alighted on shore or to be ready to take off.

Wrought from concrete, steel, paint, and copper, Love Dove juxtaposes the daily passage of freighters, sailboats, and ferries with the evocative symbolism of the dove, long a messenger of peace and friendship. By underscoring the connection between the feral pigeons of cities such as New York and romanticized ideas of doves—scientifically, the same species of bird—Könst interlaces idyllic clichés of love and the heart with the unfiltered experience of daily life. Experiencing the sculpture, whether from land or sea, encourages reflection on this most essential human emotion and the need for its continued transferal from one person to the next. The dramatic changes of 2020, which coincided with the making of this sculpture, drove that point home for the artist: “I realized Love Dove, initially meant to be raw concrete and steel, needed color, needed urgent and unfussy spray paint, to be defaced by someone who loved it, beautified out of necessity.” For Könst, beauty, like love, comes from a commitment to working with the overlooked and the everyday. Change is inevitable; Love Dove reminds us not to forget that which matters most when we take flight.



Antone Könst (b. New Haven, CT in 1987; lives and works in Brooklyn, NY) received his BFA from the California Institute of the Arts in 2011 and MFA from Yale School of Art in 2014. His interest in creating art that can be viewed with multiple meanings as a tool for agency is reflected in his choice of clichéd subject matter in paintings.

Könst’s works have been exhibited in solo exhibitions, such as Artist Curated Projects, Los Angeles, CA (2018), Radical Abacus, Sante Fe, NM (2017), and Fondation des Etas-Unis, Paris, France (2015). He has also participated in group exhibitions, for example, Untitled Miami, Zieher Smith, Miami, FL (2017), The Pilgrim’s Progress, Able Baker Contemporary, Portland, ME (2016), and How to Drape the Concrete, Galerie Jean Roch Dard, Brussels, Belgium (2015), among numerous others. Könst is currently participating in an exhibition at Artist Curated Projects, Los Angeles, and has curated a group show at Art Lot, Brooklyn.