Saturday, Apr 18, 2026
(67) Open Studios
About
Open Studios marks the close of each session and a chance for our community to see what six weeks on Fishers Island has made possible. Fellows open their studios to visitors, sharing the work they've developed during their residency in an open, informal setting. A moment to connect with the artists, experience the work firsthand, and see how the island has shaped what they've made.
Artists
Bio
Christopher Shinn’s plays include Now or Later (shortlisted for the Evening Standard Theatre Award for Best Play), Dying City (Pulitzer Prize finalist), Where Do We Live (winner of an Obie Award for Playwriting), and Four. His adaptation of Hedda Gabler premiered on Broadway in 2009 and his adaptation of Judgment Day premiered at Park Avenue Armory in 2019 (Drama Desk nomination). He was a Guggenheim Fellow in Playwriting in 2005, and is a former Radcliffe Fellow at Harvard, Cullman Fellow at New York Public Library, and two-time MacDowell Fellow.
Website
https://www.christophershinn.coBio
Stephanie Yue Duhem (or Steff) is an Austin-based poet, essayist, and occultist. Some time after being born in Szechuan, China, and immigrating to the United States, she graduated from UT Austin’s New Writers Project MFA. She is the author of CATACLYSM MOVES ME I REGRET TO SAY (House of Vlad, 2025), a poetry collection that confronts the large and small cataclysms that make up a life—from the tumult of immigration to the awkwardness of social foibles, the pandemic to the technological singularity, the anguish of lost love to the demands of art. She is an Associate Editor at Hobart Pulp and runs an advice column called "Ask a Moon.” Steff also co-hosts and curates a quarterly reading/performance series called VIRS in Austin, TX.
Website
https://moonandmouth.neocities.org/Bio
Laurie Lambrecht is a visual artist working in photography and fiber, merging observation of the natural world with tactile, handworked processes. Her photographs are held in the collections of the National Gallery of Art, the Center for Creative Photography, and the Parrish Art Museum, and she has presented solo exhibitions in the United States and abroad. Residencies include the American Academy in Rome, the Watermill Center, the Rauschenberg Residency, and KH Messen, Norway. In the early 1990s she served as administrative assistant to Roy Lichtenstein while photographing the artist and his studio, later published as Roy Lichtenstein in His Studio (Monacelli Press, 2011). She has collaborated with theatre artist Robert Wilson at the Watermill Center and photographed a documentary project for the Rauschenberg Foundation in Captiva, Florida. Lambrecht has created site-specific outdoor installations at the Madoo Garden Conservancy, the Watermill Center, and the Nassau County Museum of Art, and is the recipient of a 2023 NYSCA project grant. Her monograph Texere will be published by Radius Books in 2026. She lives in and works in her hometown, Bridgehampton, NY.
Website
https://www.laurielambrecht.comBio
Maren Karlson lives and works between Berlin and Los Angeles, where she thinks through inconsistencies (holes) within systems of control, tracing their material residue throughout her environment. What is the relationship of these systems to their remnants? What remains invisible, what leaves a trace?
She has studied at Universität der Künste Berlin, at The Cooper Union School of Art, New York, and at the University of California, Los Angeles. Her work has been shown across Europe and the United States. Upcoming one person exhibitions include Emmelines, New York City, and Soft Opening, London.
Website
https://marenkarlson.comBio
Gala Prudent's work, spanning photographic process, sculpture, and writing, seeks to propose and invent refreshed methods of relation between who we consider to be subjects and what we consider to be objects. Informed by philosophy, semiotic analysis, and an expansive canon of black media and theory, Prudent uses photographic and dimensional materials to interrogate the flattening of social and historical subjects into instruments for social stratification and tools made towards a collective architecture of humanity.
Extending frameworks devised by poets and post-humanist writers alike, Prudent offers that the distinct social categories of subject and object can function as conceptual and mnemonic kin. She understands objectification, which joins a variety of marginalized subjects at the hip of thing-like perception and use, to be inevitable — but imagines in response that objects possess an unrecognized capacity for memory, power, and agency.
Gala Prudent (b.1999) lives and works in Brooklyn, New York. She studied Art at The Cooper Union before graduating magna cum laude from Brown University with degrees in Modern Culture and Media and Visual Art. She has participated in shows and residencies across the US, the EU, and the UK.

